Many thoughts about identity, Judaism, teaching, meditation, travel, parenting and more

Sunday, June 27, 2010

Summer






Summer finally began for me midway through Thursday of last week when my school year finally ended with a pool party at my boss's house. (I got a little sunburned, much to my twisted delight.)

So now the fun begins... anyone who knows me at all will predict that I'm going to spend some portion of my summer obsessing about how I'm spending my summer and with too many lists... even lists of fun things I want to do. I want to look back at the end of the time and feel accomplished.

But accomplishment means a number of things this year:

-I have some big goals for writing. This will be the hardest to get done and the easiest to measure.

-I also want to spend real time with ND. This isn't something I can measure. I hope to just get better at doing it daily. Today I was successful, going with her and U. to a playground with a sandbox at her request.

-A few days ago I began to worry if I shouldn't have arranged to spend some time in Portland with my family. The more I thought about it, the more I came to the conclusion that it's important I stick around this year. For one, I went for 3 weeks last year and that meant U. and ND being separated. I'd like for us to have more time together this summer. But maybe even more significantly, I need to start putting down some roots here. I've been here about 5 years and I still don't want to consider it home, but I also want closer friends. When my friend died a few weeks ago, I reflected more on this. I saw how many people flocked to her support before her death, and to her family afterwards. I began to crave that feeling of community. So even at the expense of travel or writing, I think I need to find time to bond with friends.

In any case, among all of these things, there's always the house that needs so much done... dishes for one thing, buying a dishwasher for another, ironically enough. Then the laundry, the lawn, the longing for it all to already be clean and perfect. It's all a process.

Went last week to the Barnes and Noble open mic night. While deciding what to read I found this poem I wrote in April 2009, very much about accepting a messy house and experiencing the moment.

A life of worth --
does it come

from accomplishment
or appreciation?

From minutes spent racing
to the next

Or holding out arms 
in ecstasy of the moment
even as the pieces fall 
all around.

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Tuesday, July 28, 2009

Portland Poetry Reading

I did it. 

In a certain way it wasn't a big deal. Some friends and family (about 16 people in all) came together to hear me read from my book. No big deal.

In another sense, I poured out my heart and soul on the page, exposed my vulnerability and then presented it all publicly and tried to sell it. 

Either way, everyone was smiling.

How are you supposed to feel after that?

To begin, I'm a little tipsy as my friend took me after for a beer (that I did deserve). I also feel relieved and a little proud.

I definitely have accomplished something. I've written good poetry on and off over a period of about 12 years. I've collected it together. I've arranged it. I've revised it (how many times?). I've printed it up in a book, advertised to a limited audience and now sold 10 copies. 

On the other  hand, I have not proven a thing.

If Billy Collins or some other amazing poet told me I was good, I would be ecstatic.

But then, just like now, I would go on with my life and all the feelings of uncertainty and insecurity would be just the same.

I am here in this moment, and it's a little special. 

Hello, moment.

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Friday, April 24, 2009

In Retrospect

In a certain sense
this week
I'm afraid to say
I failed.

I wanted
wanted
to approach the week
serene

to be present
to be perfect
to the point
that the pressure

put me over
the edge

The moment that I
accept
a willingness to fail

will be the moment
that I succeed.

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Sunday, February 08, 2009

Poetry Pole

I got a letter from my Portland Poetry Partner yesterday. (She's a teacher I used to know in the school where I used to work. We used to send poems to each other regularly.) She told me that as retirement gift, one of our colleagues gave her a Poetry Pole which was installed at the school.

I'm not sure I entirely understand what it is. I want to ask her to send me pictures. She said it's like those boxes you see realtors putting out that you can open and take a sheet of paper out. But that this is homemade and beautiful. I imagine some sort of display case for poems but am unsure of how many and whether people take them, leave them, or both.

I did find a youtube video of a poetry pole in Yakima. It's a nice idea, art in the public realm.

I was thinking about how it would be neat if we had one of these at my school, but people do things very neatly at my school, and I would want to allow this to be sloppier. (That said, I already have a poe-tree in my classroom where I hang a few poems now and then. There is also a bulletin board where the kids hang theirs... it can withstand lots of hands touching it better than my little lemon tree can.)

I would prefer one closer to the home part of my life, I think, but maybe not right now.

I'm almost finishing compiling an anthology of my own work that U. is helping me publish. I'm at the stage now of removing poems I don't want others to see after all.

It's a tricky process. There are some fairly private pieces... some about relationships, for example. Also, I've had some highly emotional periods of my life that include obsession about certain topics and I wrote and wrote and wrote at those times. I'm embarrassed by obsession as it feels so out of control, and yet I don't wish to censor myself. So I select one poem from a series and include it, hoping the art in my work will speak louder than the fact of my speaking it and somehow be okay.

I'm also unsure of how certain friends or family may receive certain poems as they may contain parts of my life that I don't discuss openly.

Yet there they are. And I don't wish to censor myself.

I hide behind my writing, and yet I like an audience to my life. This is a brave experiment.

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Sunday, January 04, 2009

Magnetic Poem: Active Being

I tell you, I'm going blog-crazy. Loving it.

Tried to clean off my desk on New Year's Day and got sidetracked by my much neglected Magnetic Poetry.




active being

yesterday's platitude
poisonous attitude
endeavour to follow and question
as this stream embraces
its broken and herculean self

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Wednesday, May 30, 2007

Take Me Out Of The Stroller

I'm currently accepting submissions to help me complete this song that we began yesterday. To the tune of "Take Me Out To The Ballgame:"

Take Me Out Of The Stroller

Take Me Out Of The Stroller
Take Me Out Of Here Now

I don't want to be here any more.
I would rather play on the floor.

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Wednesday, February 07, 2007

Fridge Poem #11: A Call For Poetry

In sort a weird twist, U. and I just enterred a new post-baby nesting phase. Since ND sleeps with us anyway, we suddenly became inspired to switch her room and my office. Previously, her room was behind a screen next to U's office and our TV. My office was in one half of the bedroom. So now the bedrooms will be together and the offices will be together.

What an opportunity to completely clear off my desk. It is now extremely sparse and I want to see how long I keep it that way. (Two laundry baskets in the bedroom still contain the books, notebooks and clutter that were here. I want to see how much I can just get rid of this summer when garage sale season arrives.

In the meantime, I cleared off the magnetic board on which I was neglecting to do fridge poems and was inspired to write another. Below, find a blurry photo of it. I took the picture with my computer camera. As for the fancy words... they come from the "genius" edition. The brown magnets (arrogant and finicky) are from the "cat" set, and I think I have a standard set as well. Can't remember as they're all mixed together.

A Call For Poetry

slather the fecund space with moist words
to the very acme
make man of arrogant finicky boors

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Tuesday, January 16, 2007

Return of the Fridge Poem

For those of you who have read my blog since the very beginning, you'll remember my Fridge Poems created from Magnetic Poetry. (Once I finish tagging all my past blog entries you'll be able to find all the fridge poems under the heading of Poetry.)

Well, it was bothering me last week that I have 3 beautiful magnetic poetry sets and even a magnetic surface on my desk for said poems, and have not created but one or two since my arrival in NJ a year and a half ago. So I created a new poem, but this one has new rules. Instead of forcing myself to use every word that I randomly chose, I went through small groups of words and picked out those that resonated with me. I did not add anything to make it more inteligible. I will just let the words speak their own meaning and not try to make them into anything more. (You see, I ran out of time...)

The following poem is dedicated to my new daughter.

lapse worry
soft melt surround ocean love
need kiss snuggle
graceful blue

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Saturday, December 10, 2005

Shavuah tov... please please please

I didn't have to feel guilty about not going to work on Friday because we got snowed in. Yay! Tonight I tried to give U. a ride to the bus stop but now I really understand what "snowed in" means. I couldn't even open the door of the car. We need a shovel.

Went to shul today and discovered:

1. That I really have made some friends here that I really enjoy talking to.
2. That talking makes me feel worse.

Darnit.

I finally stopped taking the cough suppressants which means my throat is no longer swollen. Guess I needed to cough up some nasty stuff. (Sorry for being so graphic.) But I'm still weak and my throat is still dry and I just don't know how I'll manage this week. I really need to try. I'll just have to take it as easy as I can. Allow myself to take more breaks and go home early if I have to.

Remembering this Rebbe Nachman quote:

When asked how things are don't whine and grumble about your hardships. If you answer "Lousy," then God says, "You call this bad? I'll show you what bad really is!"

When asked how things are and despite hardship or suuffering you answer, "Good," then God says, "You call this good? I'll show you what good really is!"

One final note... though I hope I'm not crowding out the rest with this final bit. Taylor Mali whom I don't know, and Ben whom I do have both gotten me turned on recently Billy Collins. A poem from Sailing Alone Around The Room for your reading pleasure:

Introduction to Poetry

I ask them to take a poem
and hold it up to the light
like a color slide

or press an ear against its hive.

I say drop a mouse into a poem
and watch him probe his way out,

or walk inside the poem's room
and feel the walls for a light switch.

I want them to water-ski
across the surface of a poem
waving at the author's name on the shore.

But all they want to do
is tie the poem to a chair with rope
and torture a confession out of it.

They begin beating it with a hose
to find out what it really means.

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Tuesday, November 15, 2005

On The Go

This poem came to me this morning as I was rushing out of the house. I figured out the details on the drive to work and jotted it onto a receipt when I got to the school parking lot.




On The Go

Good Morning.
I'm on my way.
When will you be home tonight?

Oh yes...
I forwaded you a poem
that was emailed to me last night
by an old friend of ours
and which during breakfast
cause me to weep.

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Saturday, October 15, 2005

Poetry Project

I'm on "vacation" now with all these chagim (Jewish holidays). I put the "vacation" in quotations because a chag is not quite the same as a vacation, but the days in between are.

I'm using this as an opportunity to work on a project I've had in mind for awhile. I have SO many writing projects floating around, incomplete and in the works and abandoned, and SO many old pieces that I haven't wanted to lost into the filing cabinet that I'm trying to sort of collect and compile it all for myself. The first phase of this is to make myself an anthology of all the poetry I still like, and the second phase MAY be to try and get some of it into a published book where others can see it. (I really want to do this but have to do some research about getting poetry published.) Later I'll move on to my fiction and nonfiction. These pieces are fewer but significantly longer.

So over the past few weeks, during my writing time (about half an hour to an hour on Saturday nights, it seems...) I've been going through pages of old work, mostly from when I was actually officially studying writing at Oberlin. (I still have to locate a poetry journal or two.)

At Oberlin I had a particular poetry teacher who was intense, dramatic and you might say eccentric. I was always so overwhelmed by him and ultimately was happy to be finished with his class. For the past, oh, 9-10 years, I have hated almost everything I produced in his class.

Tonight I reread the three pages of commentary he wrote about my final project - a chapbook of the semester's work. I feel like it has taken this long for me to finally understand it. Suddenly I GET what was wrong with a lot of the pieces, but also see some of what was right about them. More importantly, some of the criticism he gave me then could apply today. Most of all, I am impressed that he treated me as having the true potential of being a professional poet, despite how hard it was to slog through the work that semester. Three pages of typed commentary (on a typewriter, not a computer)! That's great. And he kept telling me to stop asking readers to be gentle with my work.

Sound familiar from any blog entries I've ever made?

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Wednesday, October 12, 2005

Whose Job Is It?

A poem in honor of Yom Kippur, good for thinking about what you'd hate to leave undone in these world:

Whose job is it?

There are those
who deal with death
for a living.

Undertakers bury the body.
Lawyers examine the will.
Insurance agents support
the family left behind.

But whose job is it
to sift through the poetry
the decades of journals
the urgent revelations
scribbled onto torn
corners of used papers?

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Thursday, October 06, 2005

After Rosh Hashanah

Now THAT was an awfully good Rosh Hashanah.

I prepared well, had a good kavanah (usually defined as intention, this kind of means the intensity of what people are doing, particularly in prayer), was not interrupted too much by people talking in shul, and when there were interruptions it was because people I like were chasing after kids I like and it was very well meant. (Last year was very hard for me primarily because of people talking in shul. A little whispered chat here and there is one thing, but when strangers come to the shul and talk audibly throughout the most important parts of the service it is a major distraction.) I did not know what to expect for kavanah in this community. This is not the kind of shul where people chat about spirituality a whole lot. But the kavanah was there, and I was willing and able to let myself open up (albeit hidden behind my machzor) on both days without feeling too self-conscious.

And on the other hand, once I had reached my spiritual peak, the davening went fast and didn’t drag on forever. Hooray for that. Sometimes singing and singing and singing just wears me out and makes me feel frustrated that I can’t stay “high” with the davening. Forcing it is counter-productive.

The meals were nice too. We had the first two out, and both were very pleasant. The third meal (second night) we had quietly at home, and then on the last we had our very first guests. It became a ridiculous point of anxiety. I ventured to mincha (afternoon prayers) on the first day and was the only woman except for someone new who seemed to need a place. So on impulse I invited her and her two kids to come to lunch the next day where we had invited just one couple who had been carefully warned that there were unpacked boxes still lying around and that we wouldn’t have anything too fancy. Only when I got home and spoke to U. about it did I realize the table wasn’t big enough and that in fact we might not have enough food. I worried obsessively about it, trying to decide if I had done the right thing. I had invited her out of a sense that I would be doing a mitzvah, but then hadn’t checked in with my husband first when it’s also a mitzvah to respect each other in that way. Had I been counting on a miracle to make there be enough food? Had I been too self-righteous in trying to invite someone.

I told myself again and again that it would work out, but I didn’t believe it.

Guess what. It did. There was plenty of food and all the guests seemed happy and grateful. Maybe I even made a difference to the newcomer.

Why do I (and others like me) carry around worry and baggage like that. It’s so useless. It’s just what I do I guess.

However long and rambly this entry is, I have one more thing I really want to share.

I really spent a lot of time preparing myself for the holiday this year and knew I should give myself some down time in between. On the morning of the first day I spent some time really meditating and preparing for the davening, but then during breakfast wanted some light reading to clear my head a little. I’m not in the middle of anything right now so I went to read some poetry. I was reaching for Williams but my hand hit Whitman instead. When I opened it up I just couldn’t believe how appropriate to the day and just how beautiful the writing was about the self and about mortality, both of which need to surrender to G-d in this season more than ever.

A couple of excerpts, all from parts of the very long poem called “Song of Myself:”

…People I meet, the effect upon me of my early life or the ward and city I live in, or the nation,
The latest dates, discoveries, inventions, societies, authors old and new,
My dinner, dress, associates, looks, compliments, dues,
The real or fancied indifference of some man or woman I love,
The sickness of one of my folks or of myself, or ill-doing or loss or lack of money, or depressions or exaltations,
Battles, the horrors of fratricidal war, the fever of doubtful news, the fitful events;
These come to me days and nights and go from me again,
But they are not the Me myself….

(Two sections later in section 6 he talks about grass. I’m so sorry for breaking this up into smaller quotes. But I want to pick the lines that caught me and the piece itself is long.)

A child said “What is the grass?” fetching it to me with full hands,
How could I answer the child? I do not know what it is any more than he.

…I guess the grass is itself a child, the produced babe of the vegetation….

It may be you transpire from the breasts of young men,
It may be if I had known them I would have loved them,
It may be you are from old people, or from offspring taken soon out of their mothers’ laps,
And here you are the mothers’ laps….

I wish I could translate the hints about the dead young men and women,
And the hints about old mean and mothers, and the offspring taken out of their laps….

They are alive and well somewhere,
The smallest sprout shows there is really no death,
And if ever there was it led forward life, and does not wait at the end to arrest it,
And ceas’d the moment life appear’d.

All goes onward and outward, nothing collapses,
And to die is different from what any one supposed, and luckier.

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Wednesday, September 21, 2005

Taylor Mali

Rare have I been fortunate to fall for REALLY contemporary poets, but now I am head over heels. Taylor Mali is a teacher poet whose chapbook What Learning Leaves totally inspires me. (In the first of those two links click on the audio poems and then click on "What Teachers Make." An almost embarassingly satisfying piece. This guy besides being a teacher and writer is apparently "...the only person to have won the national poetry slam championship three times."

Tonight I'm thinking about this poem:

More Than Sleep

          the body craves
the act of falling into sleep.
the falling takes us farther
than the fall.

I cannot write a love poem
without feeling love, like sleep,
is at last an act of falling,
a putting out of hands
and hoping
never to feel again
that solid
ground.




I'm thinking of it because as tired as I am, I don't want to go to bed tonight. Don't want to give up today only to wake into tomorrow.

But as for love...

One more poem tonight.
My favorite of his so far is Undivided Attention.

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Monday, September 05, 2005

Fridge Poem: Upon a Kitten Becoming a Woman

"Enervate This Ferocious Poison!"
Bellows Kitten Woman.

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Thursday, July 07, 2005

Final Vancouver Fridge Poem

Indifferent Question:
Will Poetry leap here now?

(Interpretation... I'm about to pack up my magnetic poetry. I picked out a few words deliberately and filled in the rest to make this poem. Now into the box it all goes.)

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Tuesday, April 12, 2005

Good kitty mantra

My cat has terrible dental problems and she hates it when I come after her nightly with a cat toothbrush. That's when I say the:

Mantra for Brushing Aloe's Teeth

Good girl good
girl she's
such a good girl isn't
she a good girl?
Good girl




(I of course had in mind the famous William Carlos Williams poem:)

To a Poor Old Woman

munching a plum on
the street a paper bag
of them in her hand

They taste good to her
They taste good
to her. They taste
good to her

You can see it by
the way she gives herself
to the one half
sucked out in her hand

Comforted
a solace of ripe plums
seeming to fill the air
They taste good to her

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Thursday, March 31, 2005

After the Armadillo

I'm on this big poetry kick right now. It's partly because I got a poem in the mail from my dear writing partner in Portland. It's partly because I can't find time to read or write much of anything else. I keep picking up William Carlos Williams and unexpectedly found myself watching "Dead Poet's Society" a few days ago. (Now I have my first book of Whitman.) Last night I couldn't resist buying this book at a used bookstore: Animal Tails: Poetry and Art by Children

Here's my current favorite:




After the Armadillo

After the armadillo
finished giving his speech
on sub-nuclear physics,
the cow realized it was his turn.




By Ryan Mackle, Age 12

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Tuesday, March 29, 2005

The blog #6Fridge Poem #9: Where I've been

Reasons I haven't blogged recently:

Joined a gym
busy with teaching
busy with Purim
spending time with people
doing "real" writing, stuff I want to develop and publish
doing "real" writing, stuff that's too personal
spending time with people in person
spending time with my cat in person
have to do more research before I'm willing to write anything about egg activism

Hence, tonight's Fridge Poem (no, that's not it up above) is quite appropriate. Again, the words were chosen at random. I deleted, "furniture" and "an"

I will title it the same thing as my general blog entry:



Where I've Been

I throb like a fever.
Better when people companions.

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Tuesday, March 08, 2005

Fridge Poem #8: Territorial Needs

Territorial Needs

Territorial needs can fight long.
Women could put red blush
but kiss grass and are wise.








I think this is one of my worst fridge poems, but I wanted to publish it anyway. (How does that fit in with blogger ethics?) The only words I deleted from what I pulled out of the bag were: "but" "ed" "and" "and" "kitty"

(Yes, that's 2 and's.)

If you can find any meaning in this, let me know. I have a vague sense of what it's about, but I'd like to hear from you.

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